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Berkeley: University of California Press, The uncouth words in the title of Nadine Hubbs's fascinating new monograph.

Rednecks, Queers, and Country Music, are provocative because they do not seem to belong together. If you feel puzzled about how to connect "rednecks" and "queers" in a logical way, then Hubbs has already made her first point without us even opening the book: much of what we think we know about rednecks and queers and how they relate is false.

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This is a clever trick, but in grabbing our attention, Hubbs has also obscured what I would say is the principal topic of the book, which is a shame because it is so neglected, so important, and so challenging. While it does refer to rednecks, queers, and country music throughout, the book uses these as seductive hooks to talk about class--more specifically, to show the myriad ways in which the dominant middle class misunderstands and misrepresents working-class culture, and to rectify this by explaining the actual contours of working-class life, including its values, its aesthetics, its politics, its identity, and its social functioning.

Rednecks, Queers, and Country Music by Nadine Hubbs - Paperback - University of California Press

To do this, Hubbs draws on a wide range of supporting material from history, sociology, cultural studies, and yes, country music. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities.

Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture. Format Poche. Nombre de pages. Date de publication. Code Interne.

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Stock en magasins. Title: Rednecks, Queers, and Country Music Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics.

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Throughout Rednecks, Queers, and Country Music , Hubbs dissects this gesture, examining how provincial white working people have emerged since the s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class.

Rednecks, Queers, and Country Music

With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.

With a light and confident hand and an eye on historical context. Nadine Hubbs.

Our challenge is now to act upon the kind of fortitude and consciousness of resistance the author finds at the heart of working-class culture. Hubbs's dazzling discussions of songs and music history are like candy, and I consumed them eagerly. The focus on class is long overdue and entirely welcome. This book exemplifies a revitalized and analytically potent resurrection of class studies, and one that is rich, embodied, and granular.